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	<title>Alistair Robinson, Web Development &#38;c &#187; food</title>
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		<title>Granular Convection Can Improve Your Life</title>
		<link>http://alistairrobinson.co.uk/granular-convection-can-improve-your-life/</link>
		<comments>http://alistairrobinson.co.uk/granular-convection-can-improve-your-life/#comments</comments>
		<pubDate>Tue, 26 Oct 2010 17:21:20 +0000</pubDate>
		<dc:creator>Alistair</dc:creator>
				<category><![CDATA[food]]></category>
		<category><![CDATA[personal]]></category>
		<category><![CDATA[science]]></category>
		<category><![CDATA[brazil nut]]></category>
		<category><![CDATA[effect]]></category>
		<category><![CDATA[granular]]></category>
		<category><![CDATA[muesli]]></category>
		<category><![CDATA[physics]]></category>

		<guid isPermaLink="false">http://alistairrobinson.co.uk/?p=983</guid>
		<description><![CDATA[Every morning, when I have my fruit-filled nut-rich luxury muesli (with dollops of greek yoghurt and plenty of honey), I shake the box rhythmically from side-to-side before pouring it into the bowl. As a result, I get the biggest, tastiest, juiciest bits, and avoid the dust. I&#8217;ve been using this technique ever since, as a [...]]]></description>
			<content:encoded><![CDATA[<p>Every morning, when I have my fruit-filled nut-rich luxury muesli (with dollops of greek yoghurt and plenty of honey), I shake the box rhythmically from side-to-side before pouring it into the bowl. As a result, I get the biggest, tastiest, juiciest bits, and avoid the dust. I&#8217;ve been using this technique ever since, as a child, I saw a television programme &#8211; maybe it was the great Johnny Ball &#8211; explaining <strong>granular convection</strong>, otherwise known as the Brazil nut effect. When you vibrate a granular material, the big bits rise to the top.</p>
<p>Ever since I learned about it I&#8217;ve made use of it in everyday life, increasingly without thinking about it; but it&#8217;s not something I would necessarily have picked up anyway. It&#8217;s not intuitive: <em>I had to be told about it</em>. It&#8217;s a different kind of thing from hitting a nail with a hammer, because it requires the application of a counter-intuitive principle; and yet just like using a hammer it becomes a part of my complement of skills and tools. Actually, perhaps it&#8217;s more that it&#8217;s a <em>mental</em> tool, as opposed to the hammer, which is physical. A hammer requires conscious use, but it requires no conscious application of scientific knowledge. We intimately <em>know</em> the physics of a hammer blow, but some phenomena, like granular convection, are remote from us: they are not built into our bodies.</p>
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<p>In this video, the guy is demonstrating the effect with exactly the same muesli that I eat every morning. It&#8217;s ideal for the purposes of a demo because it&#8217;s full of brazil nuts. But he&#8217;s doing it wrong &#8211; all you have to do is shake it gently from side to side &#8211; so I&#8217;m sceptical about his explanation of how it works.</p>
<p>I&#8217;ve come to regard it as quite ordinary, but there is more to it than first appears. The particles actually divide and circulate in a flowing motion, very much like liquid convection. I don&#8217;t know how it works. But then, nobody really does.</p>
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		<item>
		<title>Sweaty Rectangle</title>
		<link>http://alistairrobinson.co.uk/sweaty-rectangle/</link>
		<comments>http://alistairrobinson.co.uk/sweaty-rectangle/#comments</comments>
		<pubDate>Sun, 13 Aug 2006 13:12:00 +0000</pubDate>
		<dc:creator>Alistair</dc:creator>
				<category><![CDATA[food]]></category>
		<category><![CDATA[humour]]></category>
		<category><![CDATA[personal]]></category>

		<guid isPermaLink="false">http://www.alistairrobinson.co.uk/blog/2006/08/sweaty-rectangle.html</guid>
		<description><![CDATA[1. Toe We&#8217;ve all got things. You&#8217;ve probably got a thing. I know I&#8217;ve got several things. One is that I can move the little toe of my left foot so that it&#8217;s&#8230;well, just watch the footage below. Can anyone else do this? I would be (mildly) interested to know. 2. Whelk Whelks! What a [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family:trebuchet ms;"><span style="FONT-WEIGHT: bold;font-size:130%;" >1. Toe</span></p>
<p>We&#8217;ve all got <b>things</b>. You&#8217;ve probably got a <b>thing</b>. I know I&#8217;ve got several <b>things</b>. One is that I can move the little toe of my left foot so that it&#8217;s&#8230;well, just watch the <b>footage</b> below.</p>
<p><embed src="http://s41.photobucket.com/player.swf?file=" width="430" height="355" type="application/x-shockwave-flash" wmode="transparent"></embed></p>
<p>Can anyone else do this? I would be (mildly) interested to know.</p>
<p><span style="FONT-WEIGHT: bold;font-size:130%;" >2. Whelk</span></p>
<p>Whelks! What a great idea. Wow, we&#8217;re so adventurous. Aren&#8217;t we just the coolest goddam cool urbanite gourmet jelly beans in town? Well&#8230;</p>
<p>After a bit of sunbathing in the garden we hopped on a bus up to Stockbridge to mooch, josh, eat, drink, make hay, chat, and drink. First stop fishmonger and it&#8217;s always the same: what to get? Do I gotta know before I get in the shop? Apparently so, so:</p>
<p><em>Er, let&#8217;s try some whelks</em></p>
<p>Ten whelks in a bag. Stuck them in the cellar at St Bernards bar, time to look around some shops, but suddenly I&#8217;m on fire with the desire: I gotta have pizza, so Pizza Express, sitting outside, by the Water of Leith, bottle of wine, amazing pizzas (artichoke is my current favourite vegetable (vegetable?)), first-class chat. Ann hit with the inspiration <em>let&#8217;s call Annie, see if she wants to come for a drink</em>.</p>
<p><a href="http://www.punchtaverns.com/Punch/Corporate/About+us/Real+Punch/Archive/Avoca.htm">Avoca</a> was the venue, the personnel: Ann and Annie and me, the refreshment: three bottles of shiraz, and subjects under discussion included underwear, nostalgic stockbridge reminiscences and heaps of gossip. I was happy enough to sit back and listen.</p>
<p>Whelk-related excitement and trepidation was building, and one more bottle would&#8217;ve been a step too far, so it was back to the pub to pick up said molluscs, and back home to cook said shell-bound blighters.</p>
<p><img src="http://www.slv2000.qc.ca/bibliotheque/lefleuve/vol13no4/images/buccin.jpg" /></p>
<p>Ann handled the cooking. Spaghetti with a light olive-oil and chilli sauce. Well, a picture is worth a thousand words, so see below for the whelk-verdict:</p>
<p><img src="http://www.ices.dk/marineworld/photogallery/whelks2.gif" /></p>
<p>We&#8217;ve come to vainly pride ourselves on our willingness to try anything and on our love of all kinds of food, so it was fun, liberating and extremely funny to find something so utterly fucking disgusting.</p>
<p><span style="FONT-WEIGHT: bold;font-size:130%;" >3. Porridge</span></p>
<p>The title of this post is a phrase uttered by the inimitable Andrew Murdoch in a normal-enough conversation (the explanation is too mundane to include in this blog, but suffice to say he was not being deliberately surreal), and I thought &#8211; and said at the time &#8211; that he must be the first person in history to say it. I was wrong, as a google will prove.</p>
<p>It&#8217;s easy to produce a phrase that is novel, never been said before, though it&#8217;s not always the ones you assume. Anyway, it&#8217;s all down to the combinatorial nature of language. <b>Stephen Pinker</b> says:</p>
<p><em>The infinite use of finite media distinguishes the human brain from virtually all the artificial language devices&#8230;</em></p>
<p>And also from animal communication, which has a finite repertoire, or &#8220;an analog signal that registers the magnitude of some state&#8221;, or &#8220;random variations on a theme&#8221;.</p>
<p>I thought that Jo, an e-commerce and marketing guru of my acquaintance, had been similarly original in the Hallion courtyard a couple of weeks ago. Derek and I were trying to describe the Ready Brek adverts from &#8211; when was it, the 80s? In these adverts, after eating said oaty breakfast food, children are protected from the cold on their way to school by an orange aura. Jo is Australian and so has little knowledge of such matters. Incidentally, Derek had explained earlier that he uses such an aura to protect him from the rain and as an aid to levitation &#8211; uses never originally claimed by the manufacturers but clearly very real to him.</p>
<p>Jo: <em>So it&#8217;s like a porridge-induced force-field?</em></p>
<p>I said, as I had to Andy, that it was the first time in history that anybody had said that. But again I was wrong, because it appears in <a href="http://living.scotsman.com/index.cfm?id=2327152005">this Scotsman article</a>. Remarkable partly because it was written probably just a few hundred metres away only a few months ago. In fact, it calls for some kind of joint celebration. It was <b>Adrian Mather</b> who wrote the article. Adrian: if you read this, get in touch.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/P7020019.jpg" width="400" /></p>
<p>Messed around with a photo I took of some trees, so now it almost looks like some of the rock formations in <b>Bryce Canyon, Utah</b>, silhouetted against a sky set ablaze by the setting sun.</p>
<p></span></p>
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		<item>
		<title>Glasgow Kiss</title>
		<link>http://alistairrobinson.co.uk/glasgow-kiss/</link>
		<comments>http://alistairrobinson.co.uk/glasgow-kiss/#comments</comments>
		<pubDate>Sun, 30 Jul 2006 15:18:00 +0000</pubDate>
		<dc:creator>Alistair</dc:creator>
				<category><![CDATA[food]]></category>
		<category><![CDATA[places]]></category>

		<guid isPermaLink="false">http://www.alistairrobinson.co.uk/blog/2006/07/glasgow-kiss.html</guid>
		<description><![CDATA[Not Paris or Venice &#8211; I took Ann to Glasgow to celebrate her birthday. It was a weekend of appetite and passion and curiosity, for which Glasgow is &#8211; despite the Edinburger prejudices &#8211; the perfect environment. I chose a hotel called the Kirklee (here&#8217;s a nice satellite image) It&#8217;s one house in a very [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family:trebuchet ms;"><img height="400" src="http://i41.photobucket.com/albums/e281/jamalrob/kelvingrove_gallery_foreground_flow.jpg" width="300" /></p>
<p>Not Paris or Venice &#8211; I took Ann to Glasgow to celebrate her birthday. It was a weekend of appetite and passion and curiosity, for which Glasgow is &#8211; despite the Edinburger prejudices &#8211; the perfect environment.</p>
<p>I chose a hotel called the Kirklee (<a href="http://maps.google.co.uk/maps?f=q&#038;hl=en&amp;q=kirklee+hotel,+11+kensington+gate,+Glasgow&#038;ie=UTF8&amp;ll=55.879852,-4.299581&#038;spn=0.002148,0.006958&amp;t=k&#038;om=1"><strong>here&#8217;s a nice satellite image</strong></a>)</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/hotel_round_window.jpg" width="400" /></p>
<p>It&#8217;s one house in a very odd red sandstone serpentine terrace in one of the loveliest parts of the West End. It was designed by David Barclay in 1902, so it&#8217;s contemporary with Mackintosh, whose art nouveau influence can be seen in the stained glass. Otherwise it&#8217;s more traditionally Edwardian, something the proprietors of the hotel make a big thing of, though I can&#8217;t say they&#8217;ve succeeded very convincingly: there are too many tacky 70s/80s features for it to be a complete immersion in a different era.</p>
<p>The welcome wasn&#8217;t what you expect in Glasgow, the breakfast was very disappointing (<strong>Walls&#8217; sausages</strong> &#8211; you get the idea) and there was no hot water for the shower. Still, none of that could spoil the atmosphere of the place.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/hotel_morning_flowers_2.jpg" width="400" /></p>
<p>This a view from the window at around 5AM.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/hotel_flowers_roof.jpg" width="400" /></p>
<p><img height="400" src="http://i41.photobucket.com/albums/e281/jamalrob/hotel_wine.jpg" width="300" /></p>
<p>It&#8217;s such a lush, cosy and quiet place, and yet only five minutes&#8217; walk from Byres Road, the buzzing heart of the West End.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/kelvin_deadwood.jpg" width="400" /></p>
<p>We went for a walk on the Saturday, from the hotel to Kelvingrove Art Gallery and Museum, via the Botanic Gardens, the River Kelvin and Kelvingrove Park. It&#8217;s an immense pleasure to enjoy this kind of walk, surrounded by the life of Scotland&#8217;s most exciting city.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/kelvin_rangers_on_bridge.jpg" width="400" /></p>
<p>Here&#8217;s the Kelvin, lazy and full of life.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/bullfinch.jpg" width="400" /></p>
<p>Certainly didn&#8217;t expect to see a bullfinch so close. An excellent wee bird. This one&#8217;s got a beak full of nesting material.</p>
<p><img height="400" src="http://i41.photobucket.com/albums/e281/jamalrob/bridge_remains.jpg" width="300" /></p>
<p>The remains of Glasgow&#8217;s industrial infrastructure are everywhere, giving the place a haunted feel, as if the energy of past generations suffuses the place and people of today. This must be part of Glasgow&#8217;s appeal. It has such a strong identity and never tries to be anything else.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/kelvin_bridge_arms.jpg" width="400" /></p>
<p>So after a while you get to Kelvin Bridge, which carries Great Western Road over the river, and things become less gentrified and more exciting.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/graffiti.jpg" width="400" /></p>
<p>This tunnel leads out to the outside seating area of Big Blue, a great bar with an enviable and odd position by the river. We had a drink there and continued on downsteam towards the park.</p>
<p>The <a href="http://www.glasgowmuseums.com/venue/index.cfm?venueid=4"><strong>Kelvingrove Art Gallery &amp; Museum</strong></a> was our ultimate destination, recently opened again after many years of renovation. The most striking thing about the visit was the sense of ownership the people had, the feeling that it was everybody&#8217;s. The kids were loving it and all kinds of people were pointing out what had changed since they were last there. It was proof that traditional museums don&#8217;t need to go out of their way to impose some kind of official <em>inclusivity</em> from on-high.</p>
<p><img src="http://images.amazon.com/images/P/B0000ZQ7XY.01-A36H45BL8MLRHU._SCMZZZZZZZ_.jpg" /></p>
<p>That night we ate at <a href="http://www.number16.co.uk/"><strong>16 Byres Road</strong></a>, a lovely wee restaurant. It was friendly and everything had a nice touch. I had seared tuna loin &#8211; raw in the middle, just how it should be &#8211; coated in black pepper, with a salad and asian dressing followed by pork belly with green lentils. Superb. Ann had duck leg with orange and rocket salad in a beetroot emulsion, followed by monkfish and scallops with basil. All with a nice Rioja. Exquisite food and a great atmosphere.</p>
<p><img src="http://www.glasgowwestend.co.uk/imageuploads/ashtonbeerfest05small.jpg" /></p>
<p>We wandered up to <a href="http://www.43places.com/places/view/261342"><strong>Ashton Lane</strong></a>. There was no warning that once we&#8217;d turned that corner we&#8217;d be entering into the midst of a great big party. The place had a vibe like Hogmanay, the cobbled street was heaving with people moving between bars, and was fringed by outdoor drinkers. It&#8217;s always been a cosy wee street, but the sheets of lights hanging between the buildings above intensified that atmosphere. We stood outside Jinty McGinty&#8217;s and watched all the people go by. It was great just being there, but we only stayed for one, eager to get back to the hotel as we were.</p>
<p>Much later that night I happened to be at the window having a cigarette when a young guy in a fancy car pulled up, got out and loitered by his car. I was intrigued, told Ann, and then she joined me at the window to watch. We were hidden by the flowers in the window box, so I don&#8217;t think we could be seen.</p>
<p>Five minutes later a fat Porsche pulled up and two girls spilled out. The Porsche drove off and one of the girls retired into one of the houses in the terrace. The other girl joined the guy who&#8217;d been waiting, and they began to chat. She sat on his bonnet and proceeded to flirt with him in the most obviously horny manner you can imagine. She was wearing a miniskirt and she was displaying her lovely legs to him, and she was stroking and playing with her clothes with a coy but outrageous sexuality. And Ann </span><span style="font-family:trebuchet ms;">suggested that she was getting excited at the idea that she was being watched</span><span style="font-family:trebuchet ms;">, because she was glancing up in our direction </span><span style="font-family:trebuchet ms;">occasionally</span><span style="font-family:trebuchet ms;">.</p>
<p>But after 10 minutes of this he still wasn&#8217;t making a move. He was shuffling around awkwardly and behaving laddishly. Ann and I were both thinking <em>just kiss her you fool!</em> Was he mad? Gay? Shy? But when I think back to my own youth I realise that I too probably missed such opportunities through lack of experience of <a href="http://www.sexdictionary.info/flirting_femalebl.html"><strong>female body language</strong></a> and psychology &#8211; so I&#8217;ll let him off. Well in the end he drove off on his own with hardly a kiss, probably to the immense frustration of both of them.</p>
<p><img height="400" src="http://i41.photobucket.com/albums/e281/jamalrob/sauchiehall_st.jpg" width="300" /></p>
<p>We walked into the city centre along Sauchiehall Street.</p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/george_sq_sleeping_ned.jpg" width="400" /></p>
<p><img height="300" src="http://i41.photobucket.com/albums/e281/jamalrob/george_sq_old_man.jpg" width="400" /></p>
<p>We waited for the train in George Square. Above, a Glasgow <a href="http://www.urbandictionary.com/define.php?term=ned"><strong>ned</strong></a> sleeping off his hangover, and an old man who probably comes here every Sunday to read the paper, when the weather&#8217;s fine.</p>
<p><img height="400" src="http://i41.photobucket.com/albums/e281/jamalrob/spiral_fire_escape.jpg" width="300" /></p>
<p>There&#8217;s something about the neglected corners, back entrances and hidden spaces of cities that attracts me, like this rusting spiral fire escape.</p>
<p></span></p>
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		<title>Tasty! MSG, Umami and a Winter Walk on Cruach Ardrain</title>
		<link>http://alistairrobinson.co.uk/tasty-msg-umami-and-a-winter-walk-on-cruach-ardrain/</link>
		<comments>http://alistairrobinson.co.uk/tasty-msg-umami-and-a-winter-walk-on-cruach-ardrain/#comments</comments>
		<pubDate>Sun, 05 Mar 2006 09:51:00 +0000</pubDate>
		<dc:creator>Alistair</dc:creator>
				<category><![CDATA[food]]></category>
		<category><![CDATA[places]]></category>

		<guid isPermaLink="false">http://www.alistairrobinson.co.uk/blog/2006/03/tasty-msg-umami-and-a-winter-walk-on-cruach-ardrain.html</guid>
		<description><![CDATA[It hadn&#8217;t occurred to me that savouriness was an identifiable taste that savoury foods had in common. Professor Kikunae Ikeda was led to the discovery of glutamate, and the invention of monosodium glutamate, by the idea that foods that are not sweet, sour, bitter or salty actually share another taste: savouriness, or umami. He said: [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family:trebuchet ms;">It hadn&#8217;t occurred to me that savouriness was an identifiable taste that savoury foods had in common. Professor Kikunae Ikeda was led to the discovery of glutamate, and the invention of <strong>monosodium glutamate</strong>, by the idea that foods that are not sweet, sour, bitter or salty actually share another taste: savouriness, or </span><a href="http://www.jyi.org/volumes/volume9/issue2/features/yuan.html"><span style="font-family:trebuchet ms;">umami</span></a><span style="font-family:trebuchet ms;">. He said:</p>
<p><span style="font-size:85%;">There is a taste which is common to asparagus, tomatoes, cheese and meat but which is not one of the four well-known tastes of sweet, sour, bitter and salty</span><br /><span style="font-size:78%;"><a href="http://www.glutamate.org/media/glutamate.htm">http://www.glutamate.org/media/glutamate.htm</a></span></p>
<p>This all happened a hundred years ago, so why did nobody tell me before? At a young age we are taught about sweet, sour, bitter and salty, but I don&#8217;t recall being told about umami. Anyway, it must have been quite a Eureka moment for the Professor, and the ensuing invention made East Asian food tastier. I find this story quaint and wonderful, which makes it all the more odd to hear the suspicion and derision directed at MSG <a href="http://en.wikipedia.org/wiki/Monosodium">without a shred of evidence</a> for any harmful effects arising from eating it.</p>
<p>On the other hand, I&#8217;m not a fan of Chinese food, partly because it&#8217;s usually gloopy, every dish tastes the same and most of the ingredients are preserved. <strong>But are the gloopiness and ubiquitous taste caused by over-use of MSG?<br /></strong><br /></span><span style="font-family:trebuchet ms;"></span><span style="font-family:trebuchet ms;"><br />
<hr /><img style="width: 449px; height: 346px;" src="http://i41.photobucket.com/albums/e281/jamalrob/cold_stu.jpg" /></p>
<p>Stu and I climbed <strong>Cruach Ardrain</strong> and its partner peak <strong>Beinn Tuliachean</strong> yesterday (Cruach Ardr<em>an</em>, Beinn Tul<em>ach</em>an). We decided on this mountain (although it has two Munros it seems natural, given its shape and structure, to class it as a single mountain) in the car on the way North from Stirling, partly for its proximity to the A82: Stu was worried about little roads, after that hairy drive down from the pass in the Ben Lawers reserve.</p>
<p><img style="width: 447px; height: 348px;" src="http://i41.photobucket.com/albums/e281/jamalrob/stu_legs.jpg" /></p>
<p>I was sceptical about such a southerly mountain. I had wanted something truly wild. In the event it was a tremendous day spent on and amongst surprisingly wild and craggy snow-clad mountains. We could have done with crampons at certain points, because there was a lot of very difficult compacted snow and solid ice underneath the softer stuff, but we managed in the end (9 hours in all &#8211; crampons may have saved us an hour). Between the two peaks there is a wide uneven bumpy ridge which had numerous slopes which we used for some excellent sliding. You feel instantly better, physically and psychologically, when you do something like that. After one of the fastest slides the first thing I thought, and said to Stuart, was &#8220;life is good.&#8221; The mountaineer types (wearing <a href="http://www.summitreks.com/product/boots/winterboot.htm">these</a> things) weren&#8217;t going in for anything so childish and fun &#8211; surely we won&#8217;t become like that? But I guess it&#8217;s a practical thing: you might have to detach your crampons to have a slide.</p>
<p><img src="http://i41.photobucket.com/albums/e281/jamalrob/me_waterfall.jpg" /></p>
<p>I wasn&#8217;t too happy about the initial ascent, because I found it very hard and I became quite negative, but the bum-sliding and the views made everything worthwhile. And I was very satisfied after we found our own way down from the mountain without paths, so we could avoid retracing our steps. And because below the snowline it was a gradual descent, I prevented the onset of my perennial knee pain. The route came down off the ridge between the two peaks (more bum-sliding), skirted round the lower crags of Stob Glas (where we saw a huge herd of deer, some of them posing dramatically against the sky), then slowly crossed the contours down to the top of Glen Falloch at around 300m. I guess you could call it a new route. Weariness set in on the 3-4km walk along the glen. Fish supper at Callander &#8211; good quality.</p>
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		<title>Veggie Pathology</title>
		<link>http://alistairrobinson.co.uk/veggie-pathology/</link>
		<comments>http://alistairrobinson.co.uk/veggie-pathology/#comments</comments>
		<pubDate>Thu, 02 Mar 2006 18:36:00 +0000</pubDate>
		<dc:creator>Alistair</dc:creator>
				<category><![CDATA[culture]]></category>
		<category><![CDATA[food]]></category>
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		<description><![CDATA[© Ken Currie www.nationalgalleries.org Is there a connection between principled vegetarianism and ghoulishness? An obscure example is the vegan grindcore band Carcass (defunct many moons ago I think). And as an obscure example perhaps it&#8217;s inadmissable. But no, I present Carcass here as the apogee of this disposition and the perfect illustration of this idea, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://bp2.blogger.com/_hNTTea3nHvs/RiH9KIn7eHI/AAAAAAAAAVY/x4rT3NZKXkA/s1600-h/3oncologists.jpg"><img id="BLOGGER_PHOTO_ID_5053598607441885298" style="CURSOR: hand" alt="" src="http://bp2.blogger.com/_hNTTea3nHvs/RiH9KIn7eHI/AAAAAAAAAVY/x4rT3NZKXkA/s320/3oncologists.jpg" border="0" /></a>
<div><span style="font-family:trebuchet ms;"><span style="font-size:78%;">© Ken Currie </span><a href="http://www.nationalgalleries.org/"><span style="font-size:78%;">www.nationalgalleries.org</span></a><span style="font-size:78%;"> </span></p>
<p>Is there a <strong>connection between principled vegetarianism and ghoulishness</strong>? An obscure example is the vegan grindcore band </span><a href="http://www.discogs.com/artist/Carcass"><span style="font-family:trebuchet ms;">Carcass</span></a><span style="font-family:trebuchet ms;"> (defunct many moons ago I think). And <em>as</em> an obscure example perhaps it&#8217;s inadmissable. But no, I present Carcass here as the apogee of this disposition and the perfect illustration of this idea, the idea that whatever it is that leads people to become principled vegetarians has, for some at least, got something to do with a preoccupation with, or a fear of or fascination with, the macabre and the grisly and the anatomical.</p>
<p>I haven&#8217;t thought it through yet, but I&#8217;m fairly sure there&#8217;s at least a kernel of truth here. It&#8217;s certainly true that these vegetarians and vegans often reveal <em>disgust</em> at the practice of eating meat and the very mechanics of its production, and in the dark imaginings and struggles of teenagers it&#8217;s not surprising that this could morph into a kind of fixation. I have heard them use the phrase &#8220;rotting flesh&#8221; to describe meat, as if this were an argument in itself. Now this is also becoming generally widespread. More and more I see the self-disgust of meat-eaters who <em>presume</em> that the production of meat is inherently wrong and revolting.</p>
<p>Last year I went to see a very bad comedian, Danny Bhoy, a Scot, mocking the Scottish diet. He spent several minutes talking about black puddings, &#8220;scabs basically&#8221;. The very idea that blood is used as a food was being treated as odd. But </span><a href="http://en.wikipedia.org/wiki/Black_pudding"><span style="font-family:trebuchet ms;">Black pudding</span></a><span style="font-family:trebuchet ms;"> has been around for hundreds of years and throughout Europe (and probably elsewhere as far as I know), so it seems odd to single it out for criticism. Is it partly the influence of the Gothic, mainly in horror films?</p>
<p>The <a href="http://www.spiked-online.com/">spiked</a> crew go on about the objectification of humanity, which probably has some truth in it. We are encouraged to see people not as active autonomous <em>subjects</em> with world-changing potential, but as hapless suffering reluctant hunks of meat. Perhaps this is partly what is manifest in TV documentary titles such as &#8220;The Boy Whose Skin Fell Off&#8221;.</p>
<p>I still have my Carcass LP, <a href="http://www.amazon.com/gp/product/B0002IQDWO/002-6853986-5696806?v=glance&#038;n=5174"><span style="font-family:trebuchet ms;">Necroticism &#8211; Descanting The Insalubrious</span></a>. Looking at the titles, eg. &#8220;Symposium of Sickness&#8221;, &#8220;Pedigree Butchery&#8221;, &#8220;Lavaging Expectorate of Lysergide Composition&#8221;, and the album title itself, two things are apparent:<br /></span><span style="font-family:trebuchet ms;">
<ul>
<li><span style="font-family:trebuchet ms;">A fondness for Latin, evocative of the world of medicine</span></li>
<p>
<li>Sensationalism, as in the use of <em>butchery</em>, an essentially innocent word which now has bad overtones, again maybe owing to horror fiction, and maybe also the reporting of murders in sensationalist newspapers</li>
</ul>
<p>We also see these preoccupations reflected in contemporary art, as in the painting shown above, <a href="http://www.nationalgalleries.org/collections/top_ten_search.php?searchMode=6&amp;objectId=65127">Three Oncologists</a> by Ken Currie, from 2002 (Scottish National Portrait Galley).</p>
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