Last night I went to the Edinburgh International Festival performance of Olivier Messiaen‘s Eclairs sur l’au-delĂ – which is usually translated as Illuminations of the Beyond – at the Usher Hall, played by the BBC Scottish Symphony Orchestra with a sprightly young fellow named Ilan Volkov conducting.
In my seat in the upper circle I waited for the first chord, which begins the piece in a strangely unassuming way, catching you unaware, as if the orchestra is picking up a performance midway through – which helps give it an eternal, cyclical quality. But when the performance started I was puzzled. I didn’t recognize it at all. I mean, yes, it’s an unassuming opening for sure, and I’d listened to it only … read on »
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